Daily Oral Language was so hot for so long… but it has fallen on some hard times. It’s still popular but it seems there is quite a backlash against it. It hasn’t really panned out according to “the research.” That being said many, many teachers simply love it. You’ll find out why.

I’ve personally always liked it. Why? Because it’s fun! Read on to find out how to make it more than just fun and MAXIMIZE your D.O.L. time. 

If you are really serious about creating “a class of writers,” be sure to find out about the “Pattern Based Writing: Quick and Easy Essay” writing program on the homepage.

Why Daily Oral Language is Fun – Have you ever seen someone beautifully dressed… and what did you notice? The tiny stain on their shirt! Psychologically we are wired to like to “find what is wrong.” It’s fun for us. It’s fun now… but “back on the savannah” this ability served a real purpose. It was life and death. If you couldn’t figure out what was wrong with a situation… you didn’t last long. I’ve heard some people say that Daily Oral Language is boring. For higher grade levels it could be. There are Daily Oral Language programs up through at least Grade 12. I could see it get a little boring… day after day… year after year… My students have always thought it’s fun. Me too!

Research Pro Daily Oral Language - Regular skills practice improves skill retention and delivers the message to students that the skills that they are developing are important. Allowing students to build understanding over time with continuous review has proven to be an effective way to maintain skills and an understanding of critical concepts. Content delivered incrementally promotes continuous learning and understanding thus building and maintaining knowledge. (Baratta-Lorton, 1994).

Research Con Daily Oral Language - Teaching conventions in isolation is ineffective at best, because students need opportunities to apply their knowledge of conventions to their writing. Even daily oral language activities are a waste of time for students without procedural knowledge of how and when to use conventions in writing. Consequently, the most effective way to teach conventions is to integrate instruction directly into the writing process. (Kathleen Cali, Learn NC)

Can we agree with both? Because I do!

The Mathematics of Time - Does it work or doesn’t it work is always a mathematical equation involving time. If you’re spending an hour on Daily Oral Language, it is probably not a good use of time. If you get it done and discussed FAST … you are probably getting a lot of bang for your buck. You want to make sure that you get your implementation system down to a science. Daily Oral Language is intended to be a quick daily review… 5, 10, 15… 20 minutes max.

The Perfectionist Time Trap and Solutions – Perfectionists are going to want to give direct instruction on every concept covered. If you give a lot of direct instruction on every concept covered, it’s going to take a lot of time. This is the wrong way to use Daily Oral Language. There are other, better direct instruction ways to teach grammar skills. Avoid this perfectionist time trap! (If you are falling into this time trap keep reading because I offer lots of solutions.)

Grammar Instruction or Proofreading Practice – A common criticism of Daily Oral Language is that it really only teaches proofreading while what it is supposed to be doing is reviewing and teaching grammar skills. This analysis is quite valid, however not exactly true. Lots of teachers and lots of students have been thrilled with the results they have gotten. It fits into their day just perfect and they know how to get the most out of it. The better a teacher understands ALL the grammar rules… the more they can get out of Daily Oral Language. The better a teacher is at teaching grammar off of the top of their head… the more teaching moments they will be able to find and maximize.

How Can You Review Skills that Students Haven’t Learned?  – Another common criticism of Daily Oral Language is that the exercises contain too many skills that students have not yet learned. This leads to too much time being spent on direct instruction for which there are better resources other than a teacher’s sheer brilliance and sweat. Here are three solutions.

•  Solution 1: You pre-teach weeks ahead. Know what coming up and make sure you have given direct instruction on important concepts. You probably won’t be able to get to all of them… but you can greatly increase the effectiveness and reduce frustration this way. (It would be great if there were a daily oral language grammar direct instruction program that quickly pre-taught the daily oral language skills a few weeks ahead. Spiraling is a MAJOR key to both learning and teaching!)
• Solution 2: You pre-teach right before you do the Daily Oral Language. There is not much point in doing an exercise for which a large majority will fail so why not pre-teach a rule or two. You can even bring some fun into it by making it a challenge. (Ex. Here are two grammar rules. Just one of them is in today’s assignment. See if you can figure out which one it is.) 
• Solution 3: You go down a grade. Lots of people do. The key to Daily Oral Language is that it is a fast review. If you can’t do it fast you shouldn’t be using Daily Oral Language. You are better off with a direct instruction grammar program that spirals the learning. Daily Oral Language has value if you can do it fast… so go down a grade. 

Bridging the Gap to What’s Important With Teachable Moments – There is a “game” aspect to Daily Oral Language and that’s what makes it fun. “Find the mistake” is a little different than “memorize this rule.” The teacher will need to bridge the gap to the state test and to real writing. Half of Daily Oral Language’s success is about having the opportunity to find lots of “teachable moments.”

Busy Work or Real Benefit – Teachers have a lot to do! As such, teachers often have a task that they like to get done while students do the Daily Oral Language. A real complement to Daily Oral Language is that teachers know their students will be ENGAGED enough so that they can get something done. The effect of this is that some teachers may use D.O.L. in a way that may be considered “busy work.” I don’t mean that exactly in a bad way, though. There are things that teachers need to get done… such as taking role… and you need a routine that has value and for which you know kids will be engaged in. My experience is that like most things, you get out… what you put into it. Are you prepared for the day’s D.O.L. lesson? Have you looked over the lesson and studied the errors? Will you be able to teach and maybe give an extension on each and every rule… or at least one? Do you pre-teach any rules? Even though the teacher is getting something done, they can still be fully prepared beforehand and maximize the benefits of Daily Oral Language.

Daily Oral Language in Elementary Vs. Middle School - There is a definitely a difference between elementary & middle school when it comes to Daily Oral Language. Most of the criticism I see is coming from middle school teachers. That makes sense. When you have an hour with students… and you spend 15 minutes on Daily Oral Language…. It is hard to justify the time. Furthermore, middle school students likely did Daily Oral Language in elementary school. They may see it as doing the exact same thing they did in elementary school… and they don’t like that. A key difference between elementary school D.O.L. and middle school D.O.L. is that elementary school teachers are with the same students all day. Elementary school teachers need to break up the day. There is an art to this. For elementary school teachers D.O.L. can easily serve its purpose and with time to spare!

It’s Too Easy for My Kids – Two simple solutions. One, move up to a higher grade level. Two, pick up the pace. D.O.L. is meant to be a quick review… so see how quick you can make it.  

Classroom Management – D.O.L. is a very good classroom management strategy. This is no secret. Teachers have the kids come in and get started on something that will engage them and get them settled down. I think this reason alone has played a huge part in D.O.L.’s popularity. In many student populations… it’s a great success and a great start just to get the kids to come in and get focused on learning. D.O.L. has the power to achieve this!

The Answers Vary – This may be more common with Daily Language Review (D.L.R.) and it may be more common at different grade levels. If you have 30 students with 15 different correct answers and a few more incorrect answers… and everyone wants to know if theirs is correct… this can be a problem. That can take a lot of time. Remember, D.L.R. is supposed to be a fast review. Your 5-10 minute lesson just turned into a 25-45 minutes lesson. Establish an understanding with your students that you will look at a few answers and then move on. They need to compare theirs with the correct answers.

State Testing – How frustrating is it when it’s test time and you have worked so hard, and you discover that there are areas that you neglected, skipped, or did not think were that important. D.O.L. is a good guard against this. D.O.L. simply brings… peace of mind. 

Built in Spiraling for ESL Students – A great thing about Daily Oral Language is that very few skills fall through the cracks. Not only does it spiral the concepts but it spirals them fast. Having learned a second language, all I can say is that when learning a second language you want to spiral, spiral, spiral… the learning that is. It is the only thing that keeps a person sane. Teachers can harness the power of the built in spiraling of D.O.L.!

Daily Oral Language Vs. Grammar Books Vs. Grammar Supplements – The purpose and intent for each one of these is different. Don’t confuse these different purposes and don’t try to make your D.O.L. time more than it is supposed to be. Each day you need to supplement your D.O.L. with a little direct instruction, but D.O.L. is not a direct instruction program.

Disconnected from Real Writing - This is a big, big con and this is why you want to make sure you don’t invest too much time in it. If “Daily Oral Language does not work”… this is the reason why. However, skilled teachers can bridge the gap, and gaps will need to be bridged. Children will not transfer the skills over the way teachers would like them to. 

Success Now Vs. Success Over Time – It’s incremental progress. You are not going to see mastery of any one skill anytime soon. If you are looking for overnight success it is not going to happen. You do need a little patience and faith.

Daily D.O.L. Vs. D.O.L. From Time to Time – Yes, I know it is called Daily Oral Language and I know the premise is based on the premise that reviewing skills consistently over time leads to success over time. However, even if you don’t use D.O.L. daily… it can still be one more tool in the tool belt. I know some teachers feel they get benefit doing it once a week. I know one teacher that uses a grammar program four times a week and on Friday they do a whole week’s worth of Daily Oral Language.  She calls it “D.O.L. Day.”

“Daily Review of Skills Theory” – Like a lot of “theories” people get too caught up in the “theory.” The “daily skills practice people” would have you practices a quick set of skills for every subject across the board. The “workshop” people would have you doing a “Writer’s Workshop” type workshop for every subject across the board. I’m one of those “balance, balance, balance, and the art of teaching” teachers. I can’t imagine that doing a “Daily Review of Skills” program for every single subject is a great use of time. 

Three Ways to Implement Daily Oral Language:

1. Teacher writes it on the front board. Students write it correctly on paper or in a journal. The class corrects it and discusses it as students come up to the board one by one adding proofreading marks and correcting errors.
2. Use an overhead projector, projector from the computer, or an ELMO Projector. All three of these technologies do allow the teacher to mark-up/correct the D.O.L. With some it’s easier than others. Don’t have students copy it from the source the wrong way first and then correct it. Have them write it out the correct way only.
3. Teacher makes copies and passes it out. Have it waiting on the students’ desks when they return from recess or hand it to them as they walk in. They add proofreading marks and write it out correctly.

A Good Recommendation for Parents Who Want to Help Their Children – From time to time parents ask you how they can help their child. D.O.L. is an excellent recommendation. For a parent, it’s the right amount of work and it sends all the right messages. In a way it’s neutral. Parents aren’t looking for their own child’s mistakes. Together they can correct someone else’s mistakes. Parents like it.

Practicing Errors – Some say it doesn’t work because it’s putting the focus on errors. Well, that same theory would say “don’t proofread because when you find the mistake you will be focusing on errors.”  On the other hand I strongly believe that in life one should focus on where one wants to go instead of what they want to avoid. “Billy, don’t step in that puddle.” What does Billy do? He steps in the puddle. I would never have students write anything the wrong way. If that’s what people are doing… STOP!

Builds Community - Here’s another psychological reason for D.O.L.’s success. They call it the “common enemy” or “us against them” mentality.  With D.O.L. teachers and students alike are all united together against “that silly mistake maker.” “Oh… can you believe THEY did that? WE would never do that! We’re better than that! We’ll fix it!”

Daily Oral Language (D.O.L.) Vs. Daily Language Review (D.L.R.) – There is a difference between these two programs. You will likely prefer one over the other. D.O.L. in particular seems to continue to come out with new programs and new versions, so be sure to check out samples from all the programs before you decide on one.

Authentic Daily Oral Language

Common sense lets us know that when you attach real meaning to something it has more value. When we have “a class of writers” why would we want to spend time with fake mistakes when we can grow from examining our own writing?

I know this is the direction I have been headed for many, many years… and it is the direction for which the research supports. Even still, I like to have a Daily Oral Language or Daily Language Review handy. Why? Because it’s fun, it can break up the day, and it can create community by focusing on THEIR mistakes and not ours!  

If you are really serious about creating “a class of writers,” check out the “Pattern Based Writing: Quick and Easy Essay” writing program.

The State of Affairs for “Beginning, Middle, and Endings” in Student Writing

The sad truth is students aren’t interested in beginning, middle, and ending. No. I’m not sure that they ever were… but in this modern age… it’s passé. It’s boring. It doesn’t pique their interest… and they don’t see what it is so important about it. “What’s so important about… blah… blah… blah…. beginnings, middles… introductions… bodies… I don’t get it…” 

I’ll tell you what students are interested in… playing with time.

Beginning, Middle and Ending? Okay… But In What Order?

Kids love the idea of flashbacks, flash-forwards, foreshadowing and creating suspense or curiosity by holding back information. All that’s interesting to them…

However, it’s pretty hard to teach them those concepts, and it’s pretty hard for students to learn them… that is, unless they have a solid understanding of beginning, middle, and ending.

Beginning, Middle and Ending… the Basics

On a basic level we want students to be thinking about and planning for their beginning, middle and ending in their writing.

Before beginning, prepare carefully.
Marcus Tullius Cicero 

Then we want students to continue to think about these concepts and self-monitor as they write. Even more important though is we want them to “feel the rhythm” of beginning, middle, ending… beginning, middle, ending… both within their paragraphs and within and their entire essay, report or story.

Why? 

As an adult… you have likely learned about the need for…“closure.” Haven’t you ever felt the need for a little “closure?” Was it your imagination… or did you really “need closure?” Well, it turns out there is actually a scientific reason that people simply need closure.

The Scientific Need for Beginning, Middle, and Endings

This scientific reason is called the “Zeigarnik Effect.” The Zeigarnik Effect describes how people remember unfinished or interrupted tasks better than completed ones.
Here is one example of the “Zeigarnik Effect” at work. I once began reading a book, but I didn’t really like it. I got busy and never finished the last 30 pages. Ten years later I was still aware that I had not finished that book. I finally went to the library and checked it out so I could finish it. This was for a book I did not really like! It was easier to simply finish the book instead of thinking about it for another 10 years!

What the “Zeigarnik Effect” Means for Student Writers

Do your students jump around in their writing? Do they write whatever pops into their head? Do they not know how to start or end their writing? All this and much, much more is solved with just a little understanding of the “Zeigarnik Effect.”

The “Zeigarnik Effect” teaches students “Don’t start an idea if you are not going to finish it. Your reader does not want to be thinking about an idea that you did not finish 10 years later!” 

The “Zeigarnik Effect” also teaches students “Get rid of ideas that are started and go nowhere. This is called editing.”

The “Zeigarnik Effect” is a Fun Tool that Gives Students a…

First off, the “Zeigarnik Effect” is a fun concept. For students it’s right up there with flashbacks and foreshadowing. 

Second, it’s a tool. Students learn to appreciate “beginning, middle, and ending” and they understand how they can use it to control their writing… and eventually control their reader’s emotional involvement.

Third, once “beginning, middle, and endings” are mastered, the “Zeigarnik Effect” leads to very effective and controlled advanced writing techniques. Students easily learn how to create suspense, curiosity, and interest in their writing… and it’s fun!

No Playing With Time… Until You Master Beginning, Middle, Ending… Beginning, Middle…

We teach students that paragraphs and stories have a beginning, middle, and ending. We teach students that essays and reports have an introduction, body, and conclusion. Students learn that good writing almost always has a very clear beginning, middle, and ending.

This must be mastered.

If you want your students to develop a natural rhythm and flow to their writing be sure to get your free guide to writing at the homepage and while you’re at it, check out the “Pattern Based Writing: Quick and Easy Essay” writing program! You won’t know what you’re missing till you see it!

Every end is a new beginning.
Proverb

Every new beginning comes from some other beginning’s end.
Seneca

A story should have a beginning, a middle, and an end but not necessarily in that order.
Jean-Luc Godard (French Filmmaker)

1. The topic has not been assigned. Students choose the topic.

2. The topic has been assigned. Students must follow the directions and stay on topic.

Teachers must find the right balance between these two methods when giving assignments.

These ideas will help when you do assign the topic… however they are especially helpful when your students’ topics have not been assigned. These methods are great for eliminating that sinking feeling that students feel when they do not know what to write about.

The Topic has Been Assigned

This is covered extensively in Pattern #13 and Pattern #14 of the “Pattern Based Writing: Quick and Easy Essay” writing program. Students learn TWO specific strategies for making sure that their writing starts “ON TOPIC” and finishes “ON TOPIC.” Students learn to focus on and follow DIRECTIONS.

The Topic Has Not Been Assigned

Freedom! Students have more freedom, and that means students have a lot more decisions to make. Students sometimes are not quite so thrilled when they discover that the responsibility for these decisions is… theirs.

If the topic has not been assigned, how are students supposed to come up with a topic? Where do good ideas come from? Will any idea do? Or does it have to be a great idea? All of these will be answered below and in the process… your students will become idea machines.

How to Come Up with Great Ideas: It Just Came to Me

Many of the world’s greatest ideas have come to people when they were not trying to come up with them. People ask, “How did you come up with that idea? It’s amazing!” And the other person replies, “It just came to me.”

Here Are Some Places Where Ideas May Just Come to Students

• hiking in the mountains
• taking out the trash
• taking a shower
• laying in bed right before falling asleep
• walking their dog
• grocery shopping with their mom
• stuck in traffic
• cleaning their room
• doing chores
• running an errand
• eating breakfast
• sitting in their backyard looking up at the stars
• daydreaming in class (It happens from time to time, so let’s put it to use.)

Each of the above activities is an activity that keeps a person busy, but does not require great focus or concentration. Often when a person is faced with a difficult decision or problem, someone will say, “Just sleep on it.” It is very likely the next day they will have come to a decision. This shows how so many of the great ideas come to us when we do not have the pressure or stress of trying to come up with a great idea.

The mystery writer Agatha Christie once said, “The best time for planning a book is while you’re doing the dishes.” I rest my case!

Three Ways to Save that Great Idea for Later: Harness Those Quiet Times and Harvest a Bounty of Great Ideas!

What will students want to save? Here are a few ideas!

• Interesting words or phrases
• Colorful descriptions
• Things that happened
• Things people said
• Things they saw
• Ideas for stories
• Inventions
• Things they wonder about
• Things that seem impossible
• How they or someone else felt
• How to solve a problem 
• Something that was strange
• Something that was incredible

1. Scratch It

Many, many writers always have a pen and some scratch paper close at hand. Most any movie or television show where a writer is on screen, sooner or later, you will see the writer reach into his or her pocket, take out a pen and paper, and say, “Oh, I have got to write that down.” They know they can’t afford to wait until it is time to write, to come up with those great ideas.

Provide students with a “Scratch It Idea Sheet.” This is a handy way to make sure students always have a piece of paper handy to get down those great ideas.

One of the best places to keep a pen and paper handy is right next to the bed at night. The poet Carrie Latet said, “If I’m trying to sleep, the ideas won’t stop. If I’m trying to write, there appears a barren nothingness.” In other words, get students in the habit of not waiting until it’s too late. Let’s see how many of those great ideas your students can save.

What do students do with their collections of great ideas? They can create a piggy bank of sorts for great ideas. “The Idea Bank” Use a box or container and cut a slit or hole in the top. Have students decorate them to reflect their unique personality. At the end of the day, slide all of those scraps of paper with all those great ideas they have collected throughout the day in through the top. They will be amazed at how many ideas they have collected when they sort through them a month, or even a week later.

In order to save these great ideas for eternity, have students transfer them to the computer. Have students list the ideas in the order they get them, or they can organize these great ideas into categories using “a table.”

2. Record It

Another common way to capture all those great ideas is it to carry around a voice recorder. These days many cell phones and mp3 players also have the ability to be used as a voice recorder to store all those great ideas. Have students transfer these to paper or the computer.

3. Journal It

One last and very common technique that writers use is to keep a “Writer’s Journal.” In this journal they write down great and even not so great ideas that come to them. The journal gives the writer plenty of space to explore their many ideas. This then helps them decide which ideas they would like to turn into essays or stories. It also provides a writer a safe place to write in freedom, freedom from evaluation, judgment, and grades. It’s a place to write, but not a place where one must be correct. It’s a place for ideas!

Here is a great list of Christmas essay and story writing ideas! Teaching your students to write using “Pattern Based Writing: Quick & Easy Essay” will have your students starting and finishing any of these wonderful essays and stories in under 30 minutes! Now that’s a gift! 

Christmas Persuasive Essay

• There definitely is a Santa Claus.
• I definitely have been a very good boy or girl this year.
• Christmas is a time to be thinking of others.
• Presents are very important on Christmas Day.
• Presents should not be important on Christmas Day.
• We should have the Christmas spirit all year round.
• How getting everything on my Christmas wish list would make the world a better place.
• Christmas is a time to be thankful and for reflection.
• We should have Christmas twice a year!

Christmas Process Essay or How-To Essay

 • A kid’s perfect minute-by-minute plan for Christmas Day.
• The correct way to open Christmas presents.
• How to buy the perfect Christmas present for someone.
• How to make Christmas a special day for the entire family. 
• How to prepare for Christmas Day.
• How to wrap a Christmas present.
• Santa’s process from getting started until delivering his very last present.
• How to decorate for Christmas.

Christmas Argumentative Essay

• There should be absolutely no arguing on Christmas Day.
• Christmas is the best holiday of them all.
• The real meaning of Christmas is _______
• The Christmas spirit is alive and well.

Christmas Evaluation Essay

• What is the impact that Christmas has on society?
• Has the meaning of Christmas changed over time? 
• What would Jesus think of Christmas today?
• Has Christmas become too commercialized?

Christmas Narrative/ Personal Narrative Essay

• A wonderful Christmas memory.
• My favorite present I ever GAVE.
• Christmas shopping with my family.
• My favorite part of Christmas.
• Family time on Christmas.
• Christmas traditions in my family.
• The best Christmas ever.
• Funny happenings on Christmas day.
• Memorable presents.

Christmas Cause and Effect Essay

• How I feel when I give on Christmas Day.
• How the birth of Jesus affected our world.
• How the Christmas spirit affects people’s behavior and attitude.
• Preparations for Christmas Day and the outcomes of all that hard work.
• What effect does all the Christmas media promotion have?

Christmas Informational Essay

• The real truth about Santa Claus. The history of Santa Claus.
• The history of Christmas.
• Christmas through the ages.
• Christmas traditions.
• Facts about Christmas.
• The symbols and symbolism of Christmas. 
• The first Christmas.

Christmas Descriptive Essay

• Describe opening presents.
• How I felt opening presents, eating delicious food, spending time with good friends and family.
• Describe the Christmas spirit or Christmas energy.
• Describe who you celebrate Christmas with. What makes them unique or special to celebrate with?
• Describe the sights, sounds, and smells of when you first walk out to the tree on Christmas morning. 
• Describe how the anticipation and excitement of Christmas makes you feel.
• Describe the sights, sounds, and smells of Christmas.

Christmas Five-Paragraph Essay

• Three reasons…
• Three signs…
• Three presents…
• Three traditions…
• Three signs that Christmas is just around the corner.
• Three reasons I love Christmas.

Christmas Compare and Contrast Essay

• Christmas now compared to Christmas when I was “young.”
• What use to be important to me about Christmas compared to what is important about Christmas to me now.
• The day before Christmas, Christmas Day, and the day after Christmas.
• Giving vs. receiving. 
• Christmas for kids compared to Christmas for adults.
• Christmas traditions of different cultures.
• Christmas without Santa Claus compared to Christmas with Santa Claus.

Christmas Story Ideas

• A Christmas miracle.
• The greatest present ever.
• People in need on Christmas.
• The real story of Christmas.
• The day after Christmas.
• The day I met Santa Claus.
• Wooah…CRASH… Santa? 
• Wow… Look at that star.

Be sure to check out the “Pattern Based Writing: Quick and Easy Essay” writing program at the home page. Also be sure to download your FREE “Guide to Writing” once you get to the homepage!

Have a Merry Christmas and Happy New Year!

Combine teaching these pattern based poems with the “Pattern Based Writing: Quick and Easy Essay” writing program and your students will be both highly effective and highly creative authors!

Diamante Poems

Keys to the Diamante Poem:
• Has seven lines formed in the shape of a diamond.
• You can base the poem around either synonyms or antonyms. What’s similar or what’s the complete opposite?
• Using antonyms seems to be the more popular version. “Two sides of the same coin” is a fun and interesting concept to explore. It’s the “ying and the yang” that makes it so much fun!
• There is a turning point midway through the poem where the focus shifts from one subject to the other subject.

Outline:
Line 1: One noun (Subject 1)
Line 2: Two adjectives describing the Subject 1 noun
Line 3: Three Gerunds (verb + -ing) connected to Subject 1
Line 4: Four nouns – Two connected to Subject 1 and two connected to Subject 2
Line 5: Three Gerunds (verb + -ing) connected to Subject 2
Line 6: Two adjectives describing the Subject 2 noun
Line 7: One noun (Subject 2)

Example:
Puppies
Funny, playful
Ripping, running, licking
Ball, leash, bell, mouse
Stalking, sleeping, watching
Silly, cuddly
Kittens

Rhyme Schemes

 To really use rhymes in an effective manner rhyme schemes are important for the teacher to be aware of. Rhyme schemes most often represented using the letters “A” and “B.” Rhyme schemes show you the pattern of the rhyme.

Examples of rhyme schemes:
AABB – hat, cat, top, mop
ABAB – hat, top, cat, mop
ABBA – hat, top, mop, cat
AABA – hat, cat, top, sat

Rhymes 

Word families are a great place to start with rhymes.

 –ack, -ail, ake, -all, -ame, -ank, -ar, -ash, -ate, -ay, -eep, -ell, -ick, -ide, -ight, -ile, -ing, -ink, -it, -oat, -ock, -oil, -oke, -ook, -oom, -ood, -ool, -ore, -ought, -ouse, -ow, -ump, -unk!!

Nursery rhymes are riddled with these word families.

Fun Idea – Choose a nursery rhyme and try substituting different word families.

Example:
Hickery, dickery doc, the mouse ran up the clock.
Becomes::::
Hockery, dockery, ick, the mouse became quite sick.  

Acrostic Poems

Keys to the Acrostic Poem:
• The letters in the title of your poem become the first letter in each line of your poem.
• If the title of your poem is “HAT” your poem will be three lines and if your title is “ELEPHANT” your poem will be eight lines.

Example: HAT
Held on the tip-top of your head,
A thing of warmth or beauty,
To be worn, warm, and admired!

Quatrains

Keys to the Quatrain:
• Four lines
• There are many different rhyming patterns that can be considered correct. (Alternating, Enveloping…)
• Many follow these rhyme schemes (AABB, ABAB, ABBA, ABCB, AABA)
• It is great (but not absolutely necessary) if you can make the rhyming lines have the same number of syllables!

Example:
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
              By William Blake

Cinquains

Keys to the Cinquain:
• Five lines
• Unrhymed
• Contains either a word count or syllable count. Modern versions use the word count.

Outline:
• Line 1: One noun that is both the subject and title.
• Line 2: Two adjectives describing the Line 1 noun.
• Line 3: Three verbs with –ing that tell an action related to the Line 1 noun.
• Line 4: Four words in a complete sentence that describe a feeling about the Line 1 noun.
• Line 5: One word that means the same thing as the Line 1 noun.

Example: Beach
Beach
Sandy, salty
Swimming, playing, sunning
I love the beach.
Seashore

Haiku

Keys to the Haiku:
• Three lines
• No rhyme. 
• Nature based
• Count the syllables!

Outline:
• Line 1 – 5 Syllables
• Line 2- 7 Syllables
• Line 3 – 5 Syllables

Example:
Cold arctic winds blow
Around majestic glaciers
Now melting, soon lost

Limerick

Keys to the Limerick:
• Contains five lines
• It’s a joke, a rhyme, a funny poem all wrapped up in one!
• Contains one couplet and one triplet. (Line 1, 2 and 5 rhyme. Lines 3, 4 rhyme.)
• Often contains exaggeration, play on words, and just plain silliness.

Example:
There was an Old Man with a beard,
Who said, ‘It is just as I feared!
Two Owls and a Hen,
Four Larks and a Wren,
Have all built their nests in my beard!’
          By Edward Lear

Clerihew 

Keys to the Clerihew:
• Four lines
• Lines 1 and 2 rhyme and lines 3 and 4 rhyme. (AABB)
• Line 1 contains the name of a character.
• Light, funny, and even silly.

Example:
Robert Wise
The horse he road was a big surprise.
It is tall and big, and I don’t know how
But it seems the horse he rides is really a cow.

Couplets, Triplets and Quadruplets

Keys to Couplets, Triplets and Quadruplets:
• Can be an entire poem in itself or just one part of a larger poem.
• Rules and complexity seem to vary on couplets, triplets and quadruplets based on how simple or complex the teacher wants to make it for their students.
• Each line rhymes, most of the time.
• Each line contains the same or a similar meter.
• Ideally each line will have the same number of syllables.
• Couplet – Two lines that rhyme and have the same or similar meter.
• Triplet – Two lines that rhyme and have the same or similar meter.
• Quadruplet – Two lines that rhyme and have the same or similar meter.

Tanka

Keys to the Tanka:
• Five lines.
• Each line has a specific syllable count.  (5-7-5-7-7)
• Does not rhyme
• Traditional themes are nature, seasons, friendship, and love 

Outline:
Line 1: 5 Syllables
Line 2: 7 Syllables
Line 3: 5 Syllables
Line 4: 7 Syllables
Line 5: 7 Syllables

Example:
Happy days are here
Good weather and my good friends 
Spending time well spent
Days are long and time runs fast.
Grateful in life, day and night.

Free Verse

Keys to Free Verse:
• No set pattern or structure.
• Doesn’t rhyme or have a specific rhythm. However, it is acceptable if there is some rhyme or some rhythm.
• Often used to express “deep thoughts” or “deep emotions.” 

Example:
The wily winds blew down barren landscapes.
Free yet contained by natures forces.
Caught in the middle,
A pioneer,
Heading west, west, west…

Simile

Keys to Similes:
• Compares things that are unalike.
• Uses the words “like, as”
• Have some fun and use “as if” and “as though”

Example:
The little boy rode his tricycle proudly, as if he were the ruler of both land and time. 

Metaphor

Keys to Metaphors:
• Makes a comparison of two things by saying that one is the other.
• If the question is “To be, or not to be?” with metaphors the answer is “It is!”

Examples:
• It is raining cats and dogs…
• All the world’s a stage, and all the men and women merely players.
William Shakespeare: As You Like It

Alliteration

Keys to Alliteration:
• Words in a sequence which begin with the same stressed consonant sound.
• Alliteration makes things easy to remember and easy on the ears.
• Why use alliteration? Just ask a kid!  “Bugs Bunny, Mickey Mouse, Daffy Duck, Fred Flintstone, Woody Woodpecker, Wonder Woman, Road Runner, Porky Pig, Roger Rabbit, Richie Rich, Mighty Mouse, George of the Jungle, Huckleberry Hound, Peter Pan, Captain Crunch…”
• Why use alliteration? Just ask, “Coca Cola.” It has worked well for them!

Are you a true lover of poetry? Are you an avid and exceptional teacher of poetry in the classroom? If so… then this article is not for you.

This article is for the rest of us teachers who know that poetry has value… but with limited time and so much to cover… poetry needs to prove its case.

Poetry for Teachers Who Prefer Math and Science

Some have felt they were missing the point… or the value of teaching children to write poetry. It just wasn’t their style… and they thought they sounded kind of funny when they tried to explain the profoundness of poetry in being able to uniquely express the human condition.

These teachers understood that poetry could be fun, interesting, artistic, and beautiful. Great! But they wanted more than fun, interesting, artistic, and beautiful. There had to be some kind of “academic” reason for teaching poetry that students would understand and apply… beyond poetry.

Like many teachers, I myself suspected that poetry had the power to communicate to children what ordinary essay and report writing could not. I suspected poetry could be harnessed for academic gains and not just artistic revelry.

The goal for me with poetry was not to simply transform children into “poets” but also to transform them into “skilled and observant communicators.” I believed and dreamed… that poetry had the potential to help transform students writing… across the curriculum!

Here is what I discovered along the way…

Six Traits, Poetry, Patterns, and Communication

I’ve long felt that being a skilled communicator is among the most valuable assets that a person can possess. Even if a person ends up in a science or math oriented profession, being able to effectively communicate one’s ideas will likely have a larger impact on a career than the ideas themselves. A truly skilled communicator has complete mastery over the words they use and the meaning those words convey.

The “Six Traits of Writing” along with “Pattern Based Writing: Quick and Easy Essay” has transformed my teaching of poetry in the classroom. When teaching poetry I now achieve many goals that transfer over to all of the writing that my students do… across the curriculum.

Out of the six traits found in the “Six Traits of Writing” model it seems that there are three traits that are inherently intertwined with the teaching of poetry writing to children. They stand out for me because I find that I am able to communicate their concepts very effectively when teaching poetry… and the concepts learned transfer over into all the writing my students do. This makes teaching poetry fun… and a good use of time!

Three Traits of Poetry Writing Which Improve Student Writing… Across the Curriculum

1. Organization and structure - The most popular forms of poetry that children are taught all seem to have a very definite pattern and structure. They are powerful and compact patterns that create powerful rhythm and meaning. By putting focus on the structure and the pattern in these rather simple poems you can help children to see the organization and structure in much of what they will both read and write… across the curriculum. (If you have used “Pattern Based Writing: Quick and Easy Essay” with your students, you will find that these poems and the patterns found within them are almost a natural extension of the Pattern Based Writing program. Be sure to go to the “PatternBasedWriting.com” home page and see what I mean…)

2. Word choice and usage – The major poetry patterns have descriptive use of language built right into the pattern. Each word in student created poetry is carefully chosen and each word has a specific intent within the poem. Students often consider many choices for that one valuable word in that one specific position. When you have only 17 syllables for an entire poem… you have to be very picky and consider many different word choices… until you find the one that is just right! I’ve found it’s pretty easy to transfer this skill over to students’ essay and report writing.

3. Voice – Often a complete and unique voice is both started and completed in as little as 17 syllables! The most popular poems children are taught to write are powerfully condensed units of expression. It is easy to compare these short poems and clearly hear a unique voice in each one of them. When you compare a Limerick to a Haiku the shift in voice is… an easy teaching moment.

Getting the Most Out of Poetry

Poetry has a lot to offer in helping students to become artistic poets as well as successful students. Using a combination of “Pattern Based Writing: Quick and Easy Essay” and the “Six Traits of Writing” model will transform your teaching of poetry writing into both an artistic and academic endeavor!

Be sure to read “Popular Forms of Poetry to Teach Children” and discover over 15 different types and aspects of poetry that children just love!

The term “voice” is used in the “Six Traits of Effective Writing” model. We want students to know that they are learning to write with voice and not that we are taking away their voice. Students who love to write sometimes feel they are losing their voice when they learn that they must use formal language in report writing.

Some Get It… Some Don’t Want To! 

Many students naturally understand the correct voice, tone, and style for report writing. They have read a lot of this kind of writing and they understand the style. They more easily see the difference between styles of writing and can easily imitate them. For some, it is the writing voice they naturally hear in their head when they write.

Other students hear a different voice in their head when they write. It’s a more colloquial voice and they don’t want to change it.  They don’t want to write in “that boring style.” Some of these students don’t really understand “formal voice” and some seem to rebel against “formal voice.”

Direct Instruction in Formal Voice for Report Writing: Three is the Magic Number for Comparison

Teaching report writing voice with a comparison of two is a mistake. There is not just:

There is a range to formality and three is the magic number for comparison. We can take a lesson from storytelling (and character development) that when you want to show comparison, three is the magic number.

Notice in these three fairy tales, comparison is a prominent theme:

• Goldilocks and the Three Bears
• The Three Little Pigs
• Three Billy Goats Gruff

The list goes on and on…

Ideas for Teaching Formal Voice through Comparison and Using the Rule of Three

It’s becoming easier and easier to find three different samples on a particular subject designed for three different audiences and which contain three different voices. It is a little bit of work, but well worth it when teaching “voice” in writing. (Many of the ideas below are kid created and you don’t have to do a thing.)

• Have students write about an experience or describe something from three different age perspectives. This works even if they just write a sentence or a paragraph from these three different age perspectives. It doesn’t have to be a long piece of writing for students to engage in using different voices.

• Read about a historical figure or event from three different sources designed for three different audiences. (Ex. Encyclopedia, text book, student generated from the internet.)

• Show three different news sources reporting the same news story. These days there are quite a few news sources to choose from and they range from stoic to downright wacky at times.

• Use three different video learning sources with different styles and/or designed for different audiences. Examples: 
          1. A documentary.
          2. A kid’s educational video series (Standard Deviants etc.)
          3. A cartoon type or one of those nutty science guys. (Beckman’s World etc.)

More Ideas for Teaching Formal Voice in Report Writing

Have students:

• Find a model (or models) for a voice they want to communicate in their report writing. (A television news anchorperson etc.) Have them write a paragraph describing what they observe in the voice, tone, and style of that person. Have them read their paragraph in their newfound voice.

• Role play in small groups reading samples of writing using a voice they want to have in their report writing.

• Have an imaginary panel of advisors hanging over their shoulder advising them as they write and edit. This panel of advisors will all have British accents and encourage writing in the utmost formal manner.

• Teachers, can you do a proper British accent? If so, kids identify with this as being formal and fun!

Ten Top Reading Comprehension Strategies for Elementary and Middle School Students:

1. Main Idea – Can you figure out what is most important about this paragraph, chapter, or story? Can you see the big picture of what all the little details are adding up to?

2. Predicting – What do you think is going to happen and what makes you think that? Were there clues along the way that back up your prediction? Can you point out those clues?

3. Inferencing – Hey… you are a smart cookie! The author didn’t say that specifically… but yet you still figured it out! I guess you made a guess and you guessed correctly. Karen said her best friend was coming over and when Rhonda showed up, you figure out that Rhonda was Karen’s best friend. It’s only logical!

4. Visualizing – Can you imagine that? Can you picture it? Okay… well what would it look like if you could picture it?

5. Asking Questions – As you read… are there things you are wondering about? Are there things that you are reading that don’t make sense to you or you don’t think are logical? There should be things that you don’t understand or don’t seem logical to you… at first. Ask a question… Hmm…

6. Cause and Effect – As you read… for each thing that happens… what made it happen? What were the things that led up to it… that caused it? In science they say that for every action there in an opposite and equal reaction. In reading that lets us know that for every cause there will be an effect and for every effect… there was a cause.

7. Clarifying – Okay, admit it… you’re lost! What confuses you? How can you clarify what doesn’t make sense to you? You can back it up, slow down, and reread so that you can make sense of what you don’t understand.

8. Summarizing – If you understand what you have read, you want to be able to tell someone about it… but you don’t have all day to tell them. They are in a rush just like you! So make it quick and tell them just the most important ideas and what all those important ideas add up to. They will enjoy your summary and… this shows that you understand what you are reading!

9. Making Connections with Your Own Life – You have a lot in common with the people you are reading about! Yes… even the wizards and the talking toads! You all sleep, eat, do activities, and interact with living creatures. Can you think of a similar situation you were in? Maybe you weren’t eating delicious flies like the talking toad… but he probably feels the same way about those flies that you do about a delicious pizza!

10. Compare and Contrast – What’s the same and what different within the story? What’s the same and what’s different between this and other stories? What’s the same and what’s different between what you are reading and how you see the world? What’s the same and what’s different…

Pattern Based Writing: Quick and Easy Essay Writing for Kids!

1. Challenge students’ thinking and writing skills
2. Create interest in writing and inspire creativity
3. Get reluctant writers writing
4. Help students develop the habit of writing every day
5. Practice for writing assessments
6. You are giving a classroom assignment that involves writing

Kinds of Writing Prompts for Elementary and Middle School Writing

• Essay writing prompts – Students will explain something from their point of view. It will be explained as they see the world.
• Expository writing prompts – Students will produce writing in an explanatory or informative nature.
• Narrative writing prompts – Students will narrate either a personal story or a fiction story.
• Persuasive writing prompts – Students will take a stand and logically argue a position.
• Creative writing prompts – Students will use their imagination and enter the world of fantasy.
• Journal writing prompts – Students will explore their experiences, feelings, thoughts, and emotions… Students will explore who they are and the life they live.

Writing Prompts across the Curriculum

Often teachers think of writing across the curriculum simply as “giving an assignment.” When they are teaching social studies, they gave a social studies assignment, and now it’s science, so they will give a science assignment…

The truth is “A WRITING TEACHER” teaches writing:
1. So that our students may fall in love with writing.
2. So that WE get to read good writing.
3. So that our students may thank us when they receive their Pulitzer Prize in Literature.
4. So that our students will become effective communicators.
5. So that our students will write well across the curriculum, so that THEY will be HIGHLY SUCCESSFUL students!

Don’t wait for language arts to “teach writing.” Give “writing prompts” across the curriculum.

Tips and Tricks for Using Writing Prompts

1. Have a purpose or objective for giving the writing prompt. Be sure to read “How to Use Writing Prompts in Teaching Writing.”
2. Make the prompt simple, yet complex. This is what is at the heart being both engaging and compelling. Simple enough that they understand it and can write about it confidently, but complex enough that students will engage in new thoughts and new ways of thinking.
3. Vary the type and purpose of your writing prompts. Predictable is the opposite of compelling and engaging.
4. Be prepared. Do not create writing prompts on the spur of the moment.

Letting the Class Create the Writing Prompts: Pros and Cons

Pros:
• Kids will think of things that adults never would! (or at least in a way that adults never would)
• You get to learn more about what your students think about and what interests them.
• It is great fun to have students create the prompts. There is usually an air of excitement in the class and the discussion is almost always lively.
• It inspires students and engages the group. What they think about has value!

Cons:
• Can take on too strong a “voting” or “popularity contest” aspect.
• Not all the students will like the prompt, especially when the prompt is not coming from their inner circle of friends.
• Who exactly is in charge here? Students may start to wonder…
• Students may start to perceive it as busy work. “Boy, the teacher doesn’t have to do anything… and we just write and write and write…”
• The same ideas start to repeat themselves. Sometimes students change just one or two words from the last writing prompt.

My experience is that it is best to set a routine for letting students choose the writing prompts. You want to keep all the pros without any of the cons. (Kids like to know what they can expect.)
• From time-to-time
• Once a week
• Every day

Having Students Individually Choose their Own Topics to Write About: Pros and Cons

Pros:
• Gives student the freedom to develop their own writing voice and their own style of writing.
• Teaches self-reliance. Students must learn that often people are not going to tell them what to do. However, it is still their job to not only produce the work, but to also “wow them.”
• Students will likely choose a subject they are an expert in. This will give them confidence in their writing. They will likely develop certain writing skills quicker since they do not have to learn the information at the same time they are doing the writing.
• Many students enjoy the freedom. For many students, this is the way they will develop a true love for writing.
 
Cons:
• Some will want to write about the same thing every single time. If you don’t closely monitor their writing… many students will.
• Some students will prefer to write about rather superficial things without exploring any real “deep thoughts.” (Video game #1, video game #2, movie #1, video game #3, movie #2, TV show #1…)
• Students may perceive it as busy work. (Having students read it to at least one other person reduces this.)

When you are having students choose what they want to write about you really need to set up what you expect (and hope) the students will get from this. Students that love to write won’t need an explanation. Those that don’t love to write… yet… do need an explanation… and some inspiration…